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Channeling da Vinci
Senior art student Nikolai Oskolkov talks so knowledgeably about one Italian master that it's as if the two of them are contemporary collaborators.
Oskolkov began studying da Vinci in spring 2004, when he set out to paint Genevra de Benci, da Vinci's portrait of a beautiful Florentine lady. "The idea," he said, "is not to try to make a forgery, but to learn and address the same issues the artist faced."
Oskolkov learned more about Renaissance artists during a student trip to Venice led by art professor David Voros. In his classes, Voros often emphasizes working with original materials such as making pigments the way the painters did. That is how Alex Duineka, a recent graduate and Voros student, created a section from the Ghant Altar Piece, by Jan van Eyck. Her work is now on exhibit at the Toledo Museum of Art.
"She created the piece as a research project and, as a result, developed an interest in conservation and is currently doing a restoration assistantship in Florence, Italy," Voros said. "A good percentage of my students want to be involved in research like this; the majority of my independent studies center around this type of exploration." |