June 2 – 15, 2013
This program is designed for conductors with moderate to advanced conducting skills. Fellows and associates study with Dr. Donald Portnoy and guest conductors and composers. Both fellows and associates are guaranteed podium time every day. Fellows work with the institute ensemble during morning sessions; Associates work with a chamber orchestra in afternoon sessions; both groups work with a full orchestra Friday afternoons.
Fellows and associates are required to attend all morning and afternoon conducting sessions and the late afternoon lecture series that offers invaluable information regarding score reading and interpretation, publicity, concert management and other subjects pertinent to the conducting profession.
The program is limited to 30 participants – 16 fellows and 14 associates. Placement is determined by the experience of the applicant. Those interested in applying as a fellow must submit a video with their application. A limited number of auditors will be accepted.
Guest Conductors and Composers
- Manuel Alvarez, conductor
- Victoria Bond, composer
- Gordon (Dick) Goodwin, composer
- Peter Jaffe, conductor
- Samuel Jones, conductor/composer
- Donald Portnoy, conductor
- Paul Vermel, conductor
An application fee is not required. Meals are not included.
Fellows- $1,600 (add $495 for a single occupancy room for the session)
Associates- $1,300 (add $495 for a single occupancy room for the session)
Auditors- $800 (Add $495 for a single occupancy room for the session)
You may select to take advantage of our campus housing – a single occupancy, air conditioned, suite-style room in a campus residence hall located just a short walk from all Conductors Institute sessions. If you select campus housing, no refunds are permitted after April 30, 2012, [flag for update] due to contractual agreements. Participants who do not want to stay in campus housing are responsible for securing their own accommodations.
Fellows and Associates Repertoire
Participants are required to bring their own scores for use at the Institute.
David Diamond, Rounds
Mozart, Divertimento, K. 138
Gordon (Dick) Goodwin, Level 4/Area Red (contact email@example.com)
Mendelssohn, Symphony No. 4
Brahms, Variations on a Theme of Haydn
Wagner, “Siegfried Idyll”
Victoria Bond, Variations on a Theme of Brahms (contact David Murray at firstname.lastname@example.org)
Beethoven, Symphony No. 5
Dvorak, Symphony No. 8
Rachmaninoff, Piano Concerto No. 3, Op. 30
Samuel Jones, Suite from the opera “A Christmas Memory” (contact Jackie Nicklas Bach at email@example.com)