Thomas Wolfe
Text established by Arlyn and Matthew Bruccoli

The original unabridged version of Look Homeward, Angel

6 x 9 1/4, 736 pages
cloth, ISBN 1-57003-369-2, $34.95t

ABOUT THE BOOK

The editing of Thomas Wolfe’s first novel, originally titled O Lost, has been the subject of literary argument since its 1929 publication in abridged form as Look Homeward, Angel. At the insistence of Maxwell Perkins, the legendary editor at Charles Scribner’s Sons, Wolfe cut the typescript by 22 percent. Sixty-six thousand words were omitted for reasons of propriety and publishing economics, as well as to remove material deemed expendable by Perkins. To be published for the first time on October 3, 2000—the centenary of Wolfe's birth—O Lost presents the complete text of the novel's manuscript.

For seventy years Wolfe scholars have speculated about the merits of the unpublished complete work and about the editorial process—particularly the reputed collaboration of Perkins. In order to present this classic novel in its original form as written by Wolfe, the text has been established by Arlyn and Matthew J. Bruccoli from the carbon copy of the typescript and from Wolfe’s pencil manuscript. In addition to restoring passages omitted from Look Homeward, Angel, the editors have corrected errors introduced by the typist and other mistakes in the original text and have explicated problematic readings. An introduction and appendixes–including textual, bibliographical, and explanatory notes–reconstruct Wolfe’s process of creation and place it in the context of the publishing process.

ABOUT THE EDITORS

ARLYN BRUCCOLI, an independent scholar, was an editor of the Dictionary of British Literary Characters. She and her husband, Matthew J. Bruccoli, live in Columbia, South Carolina

MATTHEW J. BRUCCOLI, Emily Brown Jefferies Professor of English at the University of South Carolina, is the leading authority on F. Scott Fitzgerald and the authors of the House of Scribner.

REVIEWS

"Some Wolfe lovers believe it will prove just how funny and irreverent Wolfe really was and how Perkins, a prim young editor who never used a curse stronger than 'My God!,' got hold of one of our country's most ambitious novels and cut out its heart."—Washington Post

"The more generous expanse of O Lost offers richly detailed background information that makes Eugene's 'artistic' temperament more credible, and its comparative sexual frankness goes a long way toward explaining the Gants' luridly heightened passions."—Kirkus Reviews

"Wolfe's restored epic is more magnificent than ever and quite ready to take its rightful place among the literary masterpieces of the 20th century."—Library Journal

ALSO FROM THE EDITOR

Before Gatsby: The First 26 Short Stories
Edited by Matthew J. Bruccoli

To Loot My Life Clean: The Thomas Wolfe-Maxwell Perkins Correspondence
Edited by Matthew J. Bruccoli and Park Bucker

Trimalchio by F. Scott Fitzgerald
Afterword by Matthew J. Bruccoli

The Only Thing That Counts:The Ernest Hemingway-Maxwell Perkins Correspondence
Edited by Matthew J. Bruccoli

Fie! Fie! Fi-Fi!: A Facsimile of the 1914 Acting Script and the Musical Score with Illustrations from the Original Production
Edited by Matthew J. Bruccoli

Readers Companion to F. Scott Fitzgerald's Tender Is the Night
Edited by Matthew J. Bruccoli and Judith S. Baughman

F. Scott Fitzgerald on Authorship
Edited by Matthew J. Bruccoli and Judith S. Baughman