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Central to Their Lives
Southern Women Artists in the Johnson Collection

Edited by Lynne Blackman
Foreword by Sylvia Yount

Scholarly essays on the achievements of female artists working in and inspired by the American South

Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, “Art is central to my life. Not being able to make or see art would be a major deprivation.” The Virginia native’s creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised “not as notable women artists but as notable artists who happen to be women.”

In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women’s social, cultural, and political roles were being redefined and reinterpreted.

The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo.

Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume.

Lynne Blackman is the director of communications for the Johnson Collection.

The Johnson Collection has been hailed by the Magazine Antiques for its work illuminating the rich history and diverse cultures of the American South. With holdings that offer an extensive survey of artistic activity from the late eighteenth century to the present day, the collection advances interest in the dynamic role that the art of the South plays in the larger context of American art and contributes to the canon of art historical study. Located in Spartanburg, South Carolina, the Johnson Collection is a recipient of the Elizabeth O’Neill Verner Award for the Arts, South Carolina’s highest honor in the field.

 
 

 


 

ART | WOMEN'S STUDIES
6 x 9
336 pages
98 color and 52 b&w illus.
ISBN 978-1-61117-954-5
Hardcover, $49.99t
ISBN 978-1-61117-955-2
Ebook, $49.99t

Contributors
Sara C. Arnold
Daniel Belasco
Lynne Blackman
Carolyn J. Brown
Erin R. Corrales-Diaz
John A. Cuthbert
Juilee Decker
Nancy M. Doll
Jane W. Faquin
Elizabeth C. Hamilton
Elizabeth S. Hawley
Maia Jalenak
Karen Towers Klacsmann
Sandy McCain
Dwight McInvaill
Courtney A. McNeil
Christopher C. Oliver
Julie Pierotti
Deborah C. Pollack
Robin R. Salmon
Mary Louise Soldo Schultz
Martha R. Severens
Evie Torrono
Stephen C. Wicks
Kristen Miller Zohn


 
 

 
 
    Copyright ©2017 The University of South Carolina Press