8th Annual DLLC GSA Conference
Global Visual Cultures Program
April 3–4, 2026
Hamilton College
1512 Pendleton St, Columbia, SC 29208
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| Conference keynote by: Prof. Mercedes Lopez Rodriguez |
Friday, April 3
Breakfast — 8:30 a.m.
Welcome — 9:00 a.m.
Panel 1 — 9:30–10:45 a.m. (Room 227)
Identity Narratives in Children/YA Fiction
Panel Chair: Delaney Sullivan
- Jordan Frederick, “Graphic Novel Autopathologies as Feminist Texts” (USC)
- Allie Moore, “I Was Destined to Have an Identity Crisis: Utilizing Narrative Structure and Aesthetic Techniques in Comics to Analyze Halfway There” (USC)
- Delaney Sullivan, “Food as Other: Touristic Multiculturalism in Contemporary American Picturebooks” (USC)
Coffee Break — 10:45–11:00 a.m.
Panel 2 — 11:00 a.m.–12:15 p.m. (Room 227)
Visual Linguistics from the Global South (Hybrid)
Panel Chair: Hind Ashraf Hosny
- Keri Sanchez Sandoval, “Lenguas indígenas y el español en México, Chile y la zona andina: identidad, influencia y contacto lingüístico” (USC)
- Shana Scucchi, “Negotiating Meaning and Visual Metaphor in Spanish Product Advertisements” (USC)
- Faten ElKafrawy, “Cartoons Translate Cultures and Ideologies: Qatar Football World Cup 2022 Cartoons Translate the Unsaid” (Modern Sciences and Arts University; Fulbright Scholar) [Virtual]
Lunch Break — 12:30–2:00 p.m.
Panel 3 — 2:00–3:15 p.m. (Room 226)
Depicting National History in a Postcolonial World
Panel Chair: Rume Kpadamrophe
- Arunav Das, “Can the Subaltern be Screened? Visual Counter-archive in Garos of 71” (USC)
- Babila Samuel, “Images and Nationhood: Sembene Ousmane’s Postcolonial Cinema” (USC)
- Hannah Frimpomaa Nhyira, “A Visual History of Colonial and Postcolonial Ghana: Power, Cartography, and Visual Discourse” (USC)
Refreshments — 3:15–4:00 p.m.
Keynote — 4:00–5:00 p.m. (Room 226)
Mercedes Lopez Rodriguez, CPLT and Spanish Program (USC)
“Disgust as Cultural Critique: Video Activism, Visual Arts, and What Makes Us Human in a Post-Human World.”
Introduced by Agnes Mueller, CPLT Program Director (USC)
CPLT Reception — 5:15–7:00 p.m. (Gambrell 429)
Saturday, April 4
Breakfast — 8:30–9:00 a.m.
Panel 4 — 9:00–10:15 a.m. (Room 227)
Institutional Resistance in Mexican Films
Panel Chair: Carter Frahm
- Cris Tengono Garcia, “Identidades extraídas: estéticas cuir y violencias de género en Temporada de Huracanes” (USC)
- Wari Gálvez Rivas, “Los ecos del indígena muerto: la voz indígena en Roma de Alfonso Cuarón” (USC)
- Perla Richerson, “Contained Transgression: Power, Coloniality, and Subaltern Agency in Herod’s Law and The Crime of Father Amaro” (USC)
Coffee Break — 10:15–10:30 a.m.
Panel 5 — 10:30–11:45 a.m. (Room 227)
Political Resistance and Memory (Hybrid)
Panel Chair: Arunav Das
- Agostina Mercado, “That-May-Still-Be: Photographs of the Disappeared as Vehicles of Resistance in (Post-)Dictatorship Argentina” (USC) [Virtual]
- Sarah Aly, “The Visual as Battleground: Graffiti of the Egyptian Revolution, 2011 and Beyond” (USC)
- Hao Sun, “Ethical Witnessing Beyond Spectacle: Everyday Life and Historical Trauma in Snow in Midsummer” (USC)
Lunch — 12:30–2:00 p.m.
Panel 6 — 2:00–3:15 p.m. (Room 226)
Technologies of the Visual Across Time
Panel Chair: Jenna Parks
- Liv Murray, “Beyond the Art: Identity Expression, Communication, and Interpretation through Visual Cues” (USC)
- Jack Dedmondt, “Eternal Memory: Symbolist Cosmology in Leon Bakst’s Painting Terror Antiquus” (USC)
- Leah Burney, “Streaming Sermons for Local Community Churches” (GSU)
- Litong Zhu, “Nationalistic Visual Youth Culture in Contemporary China through BiliBili Country Humans Animatics” (University of Georgia)
Refreshments — 3:15–3:30 p.m.
Panel 7 — 3:30–4:45 p.m. (Room 226)
Capturing Lived Experiences
Panel Chair: Gisselle Lopez
- Rume Kpadamrophe, “Wearing the World: La Sape and Vernacular Cosmopolitanism in Mabanckou’s Bleu-Blanc-Rouge” (USC)
- Hind Ashraf Hosny, “The Grime of Egypt: Countervisuality in the Photography of Denis Dailleux” (USC)
Reception — 5:15–7:00 p.m. (Gambrell 429)
This conference is sponsored by the USC CPLT Program and the Department of Languages, Literatures and Cultures.

