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Department of English Language and Literature

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Undergraduate Course Descriptions - Summer 2025

6 Week Summer Sessions

ENGL 102.J18       RHETORIC AND COMPOSITION       WEB ASYNCH      Dings

Instruction and intensive practice in researching, analyzing, and composing written arguments about academic and public issues.

3 Week Summer Sessions

ENGL 101.J10       CRITICAL READING AND COMPOSITION       WEB ASYNCH       Lee

Instruction in strategies for critically reading and analyzing literature and non-literary texts; structured, sustained practice in composing expository and analytical essays.


ENGL 102.J10       RHETORIC AND COMPOSITION       WEB ASYNCH       Campbell

Instruction and intensive practice in researching, analyzing, and composing written arguments about academic and public issues.


ENGL 102.J11       RHETORIC AND COMPOSITION       WEB ASYNCH       Stern

Instruction and intensive practice in researching, analyzing, and composing written arguments about academic and public issues.


ENGL 280.J10       LITERATURE AND SOCIETY       WEB ASYNCH       Barilla

(AIU & VSR)

Fiction, poetry, drama and other cultural texts engaged with questions of values, ethics and social responsibility.


ENGL282.001       TOPIC: Denmark’s Cultural Legacy       STUDY ABROAD       Rees-White

(AIU)

Thor, Loki, and other Asgardians. Vikings. Hamlet. The Little Mermaid. Frozen. Disneyland. Lego. These are all touchstones of contemporary American pop-culture, and all have their origin in the same space: Denmark. During this study abroad class, we will be walking the streets of Copenhagen, Roskilde, and Billund, investigating the historical inspiration for these beloved stories, alongside their contemporary cultural legacy. Ultimately, our class will try to answer two questions: to what extent do we hold a personal cultural responsibility to understand where our favorite stories come from, and at what point does a work of adaptation move so far beyond the original concept that it is an entirely new work?


ENGL 428B.J10       AFRICAN AMERICAN LIT II       WEB ASYNCH       Trafton

(Crosslisted with AFAM428B)

Representative works of African-American writers from 1903 to the present.

ENGL 101.J11       CRITICAL READING AND COMPOSITION       WEB ASYNCH       Mueller

Instruction in strategies for critically reading and analyzing literature and non-literary texts; structured, sustained practice in composing expository and analytical essays.


ENGL 102.J15       RHETORIC AND COMPOSITION       WEB ASYNCH       Smith

Instruction and intensive practice in researching, analyzing, and composing written arguments about academic and public issues.

ENGL 102.J12       RHETORIC AND COMPOSITION       WEB ASYNCH       Fischer

Instruction and intensive practice in researching, analyzing, and composing written arguments about academic and public issues.


ENGL 102.J19       RHETORIC AND COMPOSITION       WEB ASYNCH       Jarrells

Instruction and intensive practice in researching, analyzing, and composing written arguments about academic and public issues.


ENGL 437.J10       WOMEN WRITERS       WEB ASYNCH       Woertendyke

(Crosslisted with WGST437)

This course focuses on writing by women and feminist theory. We will be reading mostly creative non-fiction, essays, memoirs, and theory with a few pieces of fiction and poetry thrown in. We’re focusing on non-fiction for a few reasons: 1. It is an increasingly popular, used, and reimagined genre as the works we read demonstrate; 2. It gets at something especially complicated and nuanced about the experiences of women. The works we read are sophisticated and mature, that is, though shorter than you may be used to encountering they require intense focus and careful thinking. They also require you to immerse yourself in the writer’s experience and self-fashioning especially when you find yourself bracing against the writer’s opinions, values, and experiences. By mature I mean that the works we read deal with adult subject matter that includes love, sex, death, identity, politics, family, race, and all that is possible in a world that continues to not invite women’s voices to the table. This is not a historical survey, it’s an experiential and literary glimpse into the lives of contemporary women, their ideas, thoughts, and experiences.


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