Workshop/Q&A: "Preparing for Graduate Music Comprehensive Exams"

"Listening against the Frequency: Sonic Perception and Public Space"

Graduate Student Showcase - Sebastian Ivy, University of South Carolina
Friday, February 16, 1:10-2:00 p.m.
School of Music Room 232
Co-presented with Composition & Rhetoric, Department of English Language and Literature

Tim Page, University of Southern California, Winner of the 1997 Pulitzer Prize for Criticism

"Writing About Music in the 21st Century"

Saturday, March 3, 4:00–5:00 p.m.
School of Music Recital Hall
Presented in conjunction with the Public Music Discourses Conference.
Co-sponsored by Music Theory & Composition, the American Musicological Society-Southeast Chapter, and the Society for Music Theory-Southeast

Gerald Gurss, University of South Carolina

"Translucent Voices: Creating a Trans-Inclusive Chorus"

Graduate Music Student Showcase
Friday, March 23, 1:10–2:00 p.m.
School of Music Room 232

Alison Mero, Clemson University

"John Hullah and Charles Dickens's 'Decidedly English' Opera: The Critical Response to The Village Coquettes"

Friday, April 6, 1:10–2:00 p.m.
School of Music Room 232

Gregory Barnett, Rice University

"Defenders of the Faith: Catholic Ideology and Eighteenth-Century Italian Music Theory"

Friday, April 13, 1:10–2:00 p.m.
School of Music Room 232
Co-sponsored by Music Theory

Candace Bailey, North Carolina Central University

"Sounding Gentility: Music and Social Mobility in the Antebellum South"

Friday, April 27, 1:10-2:00 p.m.
School of Music Room 232
Co-sponsored by the Institute for Southern Studies

Adam Knight Gilbert, University of Southern California

Lecture/Workshop: “Singing and Playing on Early Wind Instruments”  

Bring your instruments!

Friday, September 8, 1:10–2:00 p.m.
School of Music Recital Hall

Workshop: “A Recorder Workshop with Adam Gilbert: Henricus Isaac and Music Symbolism”

Saturday, September 9, 2:00–5:00 p.m.
School of Music Room 006

Co-Sponsored by the ARS Columbia Recorder Collective

Natalie K. Zelensky, Colby College

“New York's White Russians: Music, Nostalgia, and Imperial Russia in the American Imaginary”

Friday, September 22, 1:10-2:00 p.m.
School of Music Room 232

Film Screening: Hiroshi Teshigahara’s Woman in the Dunes (1964)

Thursday, October 5, 7:30 p.m.
School of Music Recital Hall

Yayoi Uno Everett, University of Illinois at Chicago

“Surrealism in Image and Sound: Woman in the Dunes by Abe Kōbō”

Friday, October 6, 1:10-2:00 p.m.
School of Music Room 232

Co-Sponsored by the Walker Institute for International and Area Studies

Bonnie Jones, Baltimore, MD

“A Curious Listener: Electronic Music, Artistic Process, and Community Work”

Friday, November 3, 1:10–2:00 p.m.
School of Music Room 232

Co-Sponsored by the South Carolina Honors College

Concert: Infinite Room presents Bonnie Jones and the USC Experimental Music Workshop, directed by Greg Stuart

Friday, November 3, 8:00 p.m.
Tapp’s Arts Center (1644 Main Street)
$8/$5 students

Katherine Baber, University of Redlands

“‘All the World's a Stage’: Performing the Universal at International Festivals during the Cold War”

Friday, November 17, 1:10–2:00 p.m.
School of Music Room 232

Co-Sponsored by Music Theory and Composition

Courtney Bryan, Tulane University

“Inspiration, Improvisation, and Art Activism in the Compositions of Courtney Bryan”

Friday, December 8, 1:10–2:00 p.m.
School of Music Recital Hall

Co-Sponsored by the Center for Southern African American Music, African American Studies Program, and Women and Gender Studies Program