Stewart Carter, Wake Forest University

“The Editor from Hell: Information and Misinformation on Chinese Music in Eighteenth-Century Europe”

Friday, Feb. 3, 1:10–2:00 p.m.
School of Music, room 232

Stewart Carter, Wake Forest University

WORKSHOP: “Music in the Age of Elizabeth I for Recorders and Renaissance Wind Consort” (for advanced beginners, intermediate, and advanced players)

Saturday, Feb. 4, 2:00–5:00 p.m.
School of Music, room 006
Co-Sponsored by the ARS Columbia Recorder Collective and the USC School of Music

Andrea Moore, University of California, Riverside

"Economies of Prestige: Curation as Labor in American New Music"

Friday, Feb. 17, 1:10–2:00 p.m.
School of Music, room 232

James Deaville, Carleton University

“Music in Video Game Trailers”

Wednesday, March 1, 1:10-2:00 p.m.
School of Music Recital Hall

Michael Brown, University of South Carolina

“Delphine Ugalde: ‘Having it All’ in Late 19th Century Paris”
Graduate Music Student Showcase

Friday, March 17, 1:10–2:00 p.m.
School of Music, room 232

Ina Esther Joost Ben-Sasson, Cellist

LECTURE-RECITAL: “Four Generations of Israeli Cello Music”

Friday, March 24, 1:10-2:00 p.m.
School of Music Recital Hall
Co-Sponsored by the Jewish Studies Program

Helena K. Spencer, University of North Carolina, Wilmington

“Ancient Worlds on the Paris Opéra Stage: Herculanum (1859), Sémiramis (1860), and the Archaeological Imagination”

Friday, April 7, 1:10–2:00 p.m.
School of Music, room 232
Co-Sponsored by the French Program

Ian Giocondo, University of South Carolina

“Nadia Boulanger’s Postwar Intellectual Circle”
Undergraduate Music Student Showcase

Friday, April 14, 1:10-2:00 p.m.
School of Music, room 232

Greg Stuart, director

Concert: “Michael Pisaro with the USC Experimental Music Workshop”

Tuesday, Sept. 20, 6:00 p.m.
701 Center for Contemporary Art (701 Whaley St)
Co-Sponsored by the USC School of Music and the South Carolina Honors College

Anne Pollok, University of South Carolina

“To Feel Is Not To Say: Susanne Langer’s Theory of Music as “Living Form”

This event has been rescheduled for Friday, Oct., 28.
School of Music, room 232

Nadine Hubbs, University of Michigan

“How the White Working Class (Supposedly) Became Homophobic: Antibourgeois Country and the Middle-Classing of the Queer”

Friday, Oct. 21, 1:10-2:00 p.m.
School of Music, room 232
Co-Sponsored by Music Theory and the Women’s and Gender Studies Program

Mary Halverson Waldo

Workshop: “Easy Renaissance Tunes for Advanced-Beginner and Low-Intermediate Players: Basic Sound and Technique”

Workshop: “Renaissance Consort Music from the Netherlands: Building Technique and Musicianship” (for Intermediate and Advanced levels)

School of Music
Co-Sponsored by the USC School of Music and the ARS Columbia Recorder Collective

Lauren Eldridge, University of Chicago

“Racing Genre: Choral Performances of an Authentic Haiti”

Friday, Nov. 18, 1:10-2:00 p.m.
School of Music, room 232
Co-Sponsored by the African-American Studies Program and the Walker Institute for International Studies

Bryan Gilliam, Duke University

“Lampooning Wagner: Richard Strauss’s ‘Music Drama,’ Salome”

Friday, Dec. 2, 1:10-2:00 p.m.
School of Music, room 232
Co-Sponsored by the German Program