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Scope and Contents Note
The Joseph Heller Papers at the University of
South Carolina is a comprehensive collection of notes, manuscripts and
working drafts made by Heller for all of his books, beginning with his
second novel, Something Happened. Also included in this collection
are earlier materials relating to the dramatization of Catch-22,
his play We Bombed in New Haven, and several unproduced screenplays
co-written with his childhood friend, novelist George Mandel. Background
biographical material for Heller’s memoir Now and Then includes
family correspondence, reminiscences from childhood friends, and copies of
his wartime flight records. The materials from Closing Time, the
sequel to Catch-22, include correspondence with fellow World War II
veterans.
The arrangement of this collection is
chronological, by major work. Novels and memoirs comprise the bulk of the
collection. Also included are smaller groups of screenplays, magazine
articles, clippings and reviews, and audio/video materials.
While preparing the papers for transfer to
South Carolina, Heller (henceforth abbreviated JH) named all folder titles
that appear in quotation marks in this finding aid. In several instances
he supplied additional contextual information about a particular folder or
group of manuscripts, often writing notes on the folders themselves. All
these documents have been retained with their original groupings. All
other folder titles and the collection’s main arrangement have been
supplied by the processor.
In his working practice, Heller initially made
notes on index cards as he gathered information and created scenes or
pieces of dialogue for inclusion into a book. These cards were later given
to a typist. Many of the cards include check marks noting their
incorporation into a working manuscript.
Heller would frequently make concurrent
revisions to multiple completed sections of a book while simultaneously
working on new sections. He often dated his day’s work when creating new
material. The collection arrangement reflects this process of revision and
creation. For some novels, Heller wrote out, in longhand, a second revised
manuscript after his typist had prepared a first typed draft from
the original manuscript. Heller frequently saved his author’s proof copies
and galleys, which are also included in this collection.
Boxes 52 and 53 contain documents relating to
his early-1980s divorce and settlement, including extensive financial
information and deposition transcriptions. They are currently restricted
and not open to research. Please speak to a special collections librarian
for specific terms of the restriction.
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