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The George V. Higgins Archive at Thomas Cooper Library
includes Higgins’ literary, personal and legal papers for the full
scope of his remarkable career: from his writing for the Boston
College literary magazine, The Stylus, to his posthumously
published book At the End of the Day (2000). Higgins
earned international fame for his first novel The Friends of
Eddie Coyle in 1972 for which the archive contains drafts,
edited typescripts and proofs.
George V. Higgins (1939-1999) succeeded
in nine distinct careers, all of which are documented in his
archive. Armed with two English degrees and a law degree,
Higgins became a journalist for the Associated Press, The Boston
Globe and The Wall Street Journal, as well as a federal
prosecutor, district attorney and defense attorney, novelist,
critic, historian and a creative writing professor at Boston
University (1988-1999). He was also a fierce Red Sox loyalist,
so much so that he wrote a book on Boston baseball in 1989 titled
The Progress of the Seasons: Forty Years of Baseball in Our
Town.
Each of these careers is
represented in The George V. Higgins Archive at USC’s Thomas
Cooper Library, which, when it arrived at the library in December
2003, filled more than 88 boxes.
In addition to the celebrated Friends
of Eddie Coyle, the collection features unpublished early
fiction, research and typescripts for his non-fiction books, The
Friends of Richard Nixon and Style and Substance.
It includes drafts of Higgins's columns for the Boston Globe,
the Boston-Herald American and for legal journals, as well as
files from his work as defense attorney for Eldridge Cleaver and
G. Gordon Liddy. A substantial cache of unpublished
fiction and screenplays from the 1980s and 1990s also is
included. The memorabilia includes photos, his Boston Red Sox
press pass, his vehicle license tags as an assistant U.S. attorney,
his gun permit, yacht pennants and the cornet he played in the
Boston College Marching Band.
Within the last 10 years, USC library’s
department of rare books and special collections has
assembled, more than 20 of the most important collections in
the field of modern American literature. Like them, the
Higgins collection is regarded as a research and teaching
collection, said Paul Willis, dean of the libraries at
USC.
"The true value of a literary collection
is that is used by students and scholars so that they can better
understand the writing process and the profession of
authorship. The George V. Higgins Archive complements our
existing collections and enhances the marvelous collections
gathered by the Thomas Cooper Library," said Willis. "Matt Bruccoli
and George Terry, dean of libraries at USC from 1988-2001, were
responsible for bringing many of the major collections to the
libraries."
As is often the case with so called
"hard-boiled" writers, Higgins’ literary reputation and popularity
was stronger in Britain than in American, said USC English
professor Dr. Matthew Bruccoli.
"He was an exceptional, perhaps the
exceptional, postwar American political novelist," said Lord Grey
Gowrie, chairman of the Arts Council of Great Britain. "Like
Patricia Highsmith, he (Higgins) is an American more appreciated,
perhaps, in Britain and Europe than in his own country. I am
delighted that the University of South Carolina has acquired his
archive and that a major reassessment can now begin."
The Higgins Archive will be an
outstanding resource for studying character-driven writing.
Higgins’s mastery of character dialogue is often compared to that of
John O’Hara, a writer whose fiction he admired.
"The quotes make the story," Higgins
said. "Dialogue is character and character is
plot."
While Higgins’ archive is an obvious fit
for USC’s collections, which also include the archives of James
Ellroy and John Jakes, it found its new home at USC because of a
mutual interest that existed between writer and university and
because of the decision of Higgins's widow, Loretta Cubberley
Higgins.
Higgins spoke at the first meeting of
USC’s Thomas Cooper Society, a literary and advocacy group of USC
libraries, in 1993. He taught a writing class at USC in 1993
and participated in a conference on literary biography in
1998. Over the years he developed a friendship with USC
English professor Matthew J. Bruccoli, who has added his own
extensive Higgins collection to the Higgins archive. Following
Higgins's sudden death at age 59, Loretta Cubberley Higgins decided
to make sure that the various elements of the archive were brought
together for preservation in one place, at the University of South
Carolina, donating a substantial proportion of the collection.
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