Mezzanine Exhibit
Gallery (July 17-early September, 2006)
WILLIAM
BLAKE, VISIONARY & ILLUSTRATOR
The illuminated books and
drawings of the Romantic poet William Blake (1757-1827) form
only part of his achievement. He also illustrated works by
other writers, including Homer, Dante, Chaucer, Shakespeare,
Milton, and Gray, as well as several Biblical books. This
exhibition draws on the resources of Thomas Cooper Library’s
Department of Rare Books & Special Collections to explore
Blake’s parallel careers as an independent visionary and as
a respected craftsman-engraver and illustrator.
The center-piece of the
exhibition is an original engraving by Blake from his series
Illustrations of the Book of Job (1825), recently acquired
with support from the Nancy Pope Rice and Nancy Rice Davis
Library Treasures Endowment. Also on display is the first
edition with Blake engravings of William Hayley’s poem The
Triumphs of Temper (1803), recently purchased with gifts in
memory of Mrs. James Willard Oliver.
The exhibition charts
Blake’s development chronologically through both sides of
his activity, from his earliest known work as an apprentice
engraver in the 1770's through the extraordinary originality
of his political and prophetic poems in the 1790's and early
1800's, and the deep emotion of the later illustrations he
prepared for Edward Young’s poem Night Thoughts (1796-97)
and Robert Blair’s The Grave (1808). Blake’s political
sensitivity and humanity are evidenced in his illustrations
for John Stedman’s Narrative (1796), about the suppression
of slave revolts in colonial Surinam (now Guyana).
The original editions of
many of the books that Blake for which Blake prepared
engravings were acquired by the South Carolina College
library soon after publication. The illuminated books of
poetry for which he is now best known, including Songs of
Innocence (1789), Songs of Experience (1794), Europe (also
1794) and Jerusalem (from 1804), are shown in the
extraordinary Trianon Press color facsimiles sponsored by
the Blake Trust, which were purchased for Thomas Cooper
Library thirty years ago with support from the John Shaw
Billings Endowment