Click here for a link to the Poster Submission site and procedures
(Deadline for submissions: Monday, 15 January 2018)
Conference Dates: Saturday evening, 28 April 2018 through Monday, 30 April 2018
Conference Location: The Campus Room (on the ground floor) in Capstone House at the Unviersity of South Carolina
Click here to access the conference registration site
Contact Stan Dubinsky for more information about the conference
This Spring 2018 conference at the University of South Carolina will examine current perspectives on American (Jewish) Humor in the contexts of American and European traditions, racial, ethnic, religious, and gender-based humor in general, and the current social and political climate that questions the purposes and legitimacy of such humor.
Situating Jewish, racial, ethnic, religious, and gender humor in a present-day milieu of heightened ethnic sensitivities, presentations will compare and contrast different categories of humor, and explore the boundaries between identity and offense, focusing on the tensions between sincere characterization and offensive caricature in the realm of humor discourse.
The conference will include:
(i) invited presentations on Jewish, African-American, ethnic, gender, and religious humor,
(ii) discussant and panel contributions by local and regional scholars, and
(iii) a poster session.
The conference will also feature a screening of the film "The Last Laugh" (a documentary on Holocaust humor, featuring survivors, writers and comedians) and a lecture by the filmmaker, Ferne Pearlstein.
"The most remarkable thing about my mother is that for thirty years she served the family nothing but leftovers. The original meal has never been found." -Calvin Trillin
Topics and questions to be addressed by the conference presentations:
• Civil discourse. How do we talk to each other in a civil manner using humor as a vehicle?
• Understanding the message. How does humor serve to articulate values, attitudes, opinions and concerns?
• Calculating limits. What are the limits of ethnic, racial, and religious humor? When does humor become offense, and what category of offense does humor represent?
• Determining entitlements. Who is entitled to use humor of a particular type? In what contexts? Who is entitled to hear such humor?
• Adjusting for the medium. What are the differences between print and oral delivery? Between the printed word and the illustration?