Scott Weiss, conductor
Preceding each concert are pre-concert talks at 6:45 p.m. on the Koger stage.
The USC Symphony is proud to announce its 2017-2018 season! Showcasing the extraordinary musical talent in the USC School of Music, the 2017-2018 season includes monumental symphonies by Mahler, Shostakovich, Tchaikovsky and Beethoven, as well as beloved concerto repertoire featuring world-renowned soloists from the USC faculty and beyond.
All concerts take place at 7:30 p.m. at the Koger Center for the Arts.
Join us for what promises to be a glorious season of orchestral music in the Koger Center for the Arts!
Save with a season subscription (6 concerts) and enjoy the best seats in the house:
Discounts: $110 senior citizen / military / USC faculty and staff; $45 students. Discounted tickets must be purchased in person at the Koger Box Office.
General public - $30
Discounted tickets must be purchased in person at the Koger Box Office:
Senior citizen / military / USC faculty and staff - $25
Children under 18 and non-USC students with ID - $5
USC Students - free with student ID
Purchase season subscriptions online.
Single concert tickets go on sale August 1.
Call 803-251-2222, in person at Koger Box Office, corner of Greene and Park Streets (M-F 9 a.m. to 5 p.m.) or online.
Zuill Bailey Returns!
Thursday, September 28, 2017
Zuill Bailey, cello
MICHAEL DAUGHERTY - Tales of Hemingway
SHOSTAKOVICH - Symphony No. 5 in D minor, op. 47
Back by popular demand, cellist Zuill Bailey returns to USC to perform the cello concerto for which he received the 2017 Grammy for Best Solo Classical Performance, Michael Daugherty’s Tales of Hemingway. This riveting new work brings to life the brilliant literature and fascinating life of writer Ernest Hemingway.
Monday, October 30, 2017
Ari Streisfeld, violin
Daniel Sweaney, viola
MOZART - Sinfonia concertante in E-flat major, K. 364
BEETHOVEN - Symphony No. 6 in F major, op. 68 “Pastoral”
With its evocations of brooks, birdsongs, and thunderstorms, Beethoven’s bucolic “Pastoral” symphony celebrates the beauty of nature and is one of the composer’s most beloved works. Mozart’s Sinfonia concertante opens the concert and showcases USC’s newest members of the string faculty, violinist Ari Streisfeld and violist Daniel Sweaney.
Famous Last Words
Monday, December 4, 2017
Phillip Bush, piano
BARTÓK - Piano Concerto No. 3 in E major
TCHAIKOVSKY - Symphony No. 6 in B minor, op. 74 “Pathétique”
Both Bartók and Tchaikovsky may very well have saved their very best for last. Completed in their final days, the two works on this program include some of the most beautiful and poignant music either composer ever wrote.
Thursday, February 1, 2018
Join Scott Weiss and the USC Symphony for a program featuring the winners of the 2017-18 USC Concerto-Aria Competition. Artists and repertoire to be announced.
March 2-4, 2018
Kevin Vortmann, tenor
BERNSTEIN - MASS: A Theatre Piece for Singers, Players and Dancers
A production of the University of South Carolina School of Music.
2018 is the centenary of American composer and conductor Leonard Bernstein’s birth, and the USC School of Music marks the occasion with three performances of Bernstein’s MASS. Composed at the request of Jacqueline Kennedy Onassis for the opening of the John F. Kennedy Center in 1971, MASS includes two orchestras, a rock band, a blues band, several choirs, singers, dancers, and actors. While employing some of the elements of a traditional Catholic Mass, the piece also draws upon the composer’s Broadway experience as well as other religious and popular genres. Featuring tenor Kevin Vortmann in the role of the Celebrant, this one-of-a-kind event is not to be missed! Directed by Ellen Douglas Schlaefer; conducted by Scott Weiss; musical preparation by Lynn Kompass; Alicia Walker is chorus director. Read more about it.
Tuesday, April 24, 2018
Joseph Eller, clarinet
NIELSEN - Clarinet Concerto
MAHLER - Symphony No. 1 in D major “Titan”
The USC Symphony concludes its season with Gustav Mahler’s Symphony No. 1, a monumental work that takes listeners from the mystic awakening of nature to an exhilarating, heart-stopping finale. The evening opens with the stormy clarinet concerto of Danish composer Carl Nielsen.
Scott Weiss, Music Director and Conductor
Scott Weiss is beginning his eighth year as the Sarah Bolick Smith Distinguished Professor of Music at the University of South Carolina where he conducts the USC Symphony Orchestra and the USC Wind Ensemble and teaches conducting. Equally at home leading symphony orchestras and wind ensembles, Dr. Weiss maintains an active international guest conducting schedule, including recent concerts in China with the Shenzhen Symphony Orchestra, the Hunan Symphony Orchestra, the Nanchang Philharmonic, the Shandong Symphony Orchestra, and the Inner Mongolia Symphony Orchestra; and his 2017-2018 schedule includes return engagements with the Inner-Mongolia and Hunan Symphony Orchestras, as well as his debut with the Sichuan Symphony Orchestra. A champion of contemporary music, his performances have been praised by such notable composers as Joseph Schwantner, Karel Husa, Samuel Adler, and Jennifer Higdon; and he has a series of critically-acclaimed recordings on the Naxos label as well as a brand new disc on Summit Records that was released worldwide in April 2017.