|Department:||Theater and Dance
Department of Theatre and Dance
|Resources:||African American Studies Program|
Tanya Wideman-Davis is the Co-Artistic Director of Wideman/Davis Dance and is currently on faculty as an Associate Professor at The University of South Carolina. Tanya has had an extensive and exciting career as a dancer, choreographer and teacher. Most recently, Ms. Wideman-Davis completed her Master of Fine Arts from Hollins University/ADF (2012).
Tanya has trained with many of the premier schools in the country including: The Academy of Movement and Music, The Ruth Page Center for the Arts, The Joffery Ballet School, The Pacific Northwest Ballet School, The Alvin Ailey American Dance Center, Chicago City Ballet, and The Dance Theatre of Harlem. Ms. Wideman-Davis, has been noted by New York Dance Fax as “distinctive for the power of her secure pointe work and her personality.” She has received International acclaim and was given the honor of “Best Female Dancer of 2001-2002” by Dance Europe magazine.
As a dancer, Ms. Wideman-Davis has worked with the following companies: Dance Theater of Harlem (1993-1998), Principal Dancer Dance Theatre of Harlem (2000-2002), Cleveland San Jose Ballet, Guest Artist (1999), The Joffery Ballet of Chicago (1999-2000), Complexions Contemporary Ballet (1998-2001), Donald Byrd: The Group, Guest Artist (2000), Dance Galaxy: Fugate/Bahiri Ballet NY (2000-2001), Alonzo King Lines Ballet (2002-2004), Spectrum Dance Theater (2004-2005), Guest Artist (2006), Ballet Memphis, Guest Artist (2006), Quorum Ballet, Portugal, Guest Artist (2008-2009). In addition, Ms. Wideman-Davis has taught as a guest artist at the University of North Carolina School of the Arts, Allen University, Mississippi School of the Arts, University of Wisconsin Peck School of the Arts, Milwaukee Ballet, University of Iowa, Steps on Broadway, Goucher College, National Ballet Dominicana (Dominican Republic), Center of Creative Arts, Spectrum Dance Theater and Auburn University.
Tanya and Thaddeus Davis began Wideman/Davis Dance in 2003 and continue to create work together to date. They have collaborated in the creation of the following works: past-carry-forward, CANE (in collaboration with Thomas DeFrantz/SLIPPAGE), Etta and James, Balance, Voypas, Bosket Affair, Bends of Life, Based on Images, Fragmentation and Rock and My Soul. In addition, they have created numerous works for the University of South Carolina Dance Company. Tanya has assisted Thaddeus in both the creation of new works and restaging existing works for Ballet Memphis, Phrenic New Ballet, Complexions Contemporary Ballet, Fugate/Bahiri Ballet NY, The Juilliard School, Alvin Ailey American Dance Center, Reflections Dance Company, and Nevada Ballet Theatre. Community engagement is an essential component to the work, research and integrity of Wideman/Davis Dance. Bends of Life (2006-2008) toured through the public school system of the impoverished “Black Belt Region” of Alabama; sponsored by The Alabama State Council on the Arts and in Cincinnati, OH, Durham, NC, and Austin, TX sponsored by The National Performance Network. Eau Claire High School in Columbia, SC hosted The Recession and its Affect on Teenagers residency in 2010. Wideman/Davis Dance has taught movement classes at the Family Shelter of Columbia South Carolina (2009) and performed multiple lecture demonstrations and performances at the Calhoun School (2005-2010) in New York. Wideman/Davis Dance was recently was awarded a 2013 Map Fund Grant to support the research and development of their current project, Ruptured Silence: Racist Signs and Symbols.
Currently, Tanya Wideman-Davis continues to perform, research, choreograph, collaborate and teach. Her research projects include Female Relationships: The Gender Gap in Dance (2012), and The Queering of a Life of Dance and HIV/AIDS (2011). Tanya’s MFA Thesis work REVEAL was premiered at the American Dance Festival Thesis Concert in Durham, NC in 2012. Her research interests explore and examine race, gender, femininity, identity and location. This research grounds her choreographic method and performances and challenges the traditional methodologies and ideologies of classical Ballet. Most recently Wideman-Davis has co-choreographed past-carry-forward for the new Dance Theatre of Harlem company with Thaddeus Davis and dramaturg by Dr. Thomas F. DeFrantz. past-carry-forward is a work referencing the Harlem Renaissance and its futuristic possibilities.